Posts Tagged ‘Torture Garden’

Horror Express

While on an expedition in Manchuria, anthropologist Alexander Saxton (Christopher Lee, Horror of Dracula) discovers the frozen remains of what he believes to be a missing link in the evolution of humanity. After packing up the crate containing the creature, Saxton stashes it on the Trans-Siberian Express and travels from Shanghai to Moscow in the hopes of further examining the rare archaeological find upon his return. On board with him as his compartment mate is colleague Dr. Wells (Peter Cushing, Torture Garden) who is also eager to get a glimpse at the specimen. Before the train leaves the station, a thief attempts to break into Saxton’s crate but is killed, his eyes glazed over milky white, leading a local monk to proclaim the contents evil. Is he right? Of course he is. After all, the film is entitled Horror Express.

It’s probably been a good 30 years since I last watched Horror Express which, as I recall, was a somewhat regular staple on the old WOR-TV Superstation. Back then, it scared the bejesus out of me. Now? Well, it’s certainly not the scarefest I remember, but it’s still one hell of a fun little movie.

What I wasn’t aware of at the time is that Horror Express is based on the  John W. Campbell novella, “Who Goes There?”, a significant work in the sci-fi horror genre that inspired 1951’s The Thing From Another World, John Carpenter’s 1982 remake simply titled The Thing (one of my top 5 all time horror films) and even 1979’s Alien (screenwriter Dan O’Bannon claims he used the films based on the novella as inspiration). To be honest, it had been so long since I’d seen it that I’d forgotten the creature isn’t just a mindless beast with the power to kill just by staring into the eyes of its prey–it’s an intelligent being that’s able to use the bodies of those it claims to mimic them. The creature leaves the victim with a smooth brain, thereby stealing the intelligence and memory of whomever it kills and using the knowledge and information to its advantage. As an added bonus, it can reanimate those it kills, using them as a zombie army when necessary.

To modern audiences, Horror Express probably isn’t going to be all that appealing unless you’re a film buff or a die hard horror fan. But it does have a lot more charm than expected. Not only does it re-team genre veterans Lee and Cushing, but it also features a brief appearance by Telly Savalas (Kojak) as Captain Kazan, a zealous Cossack searching for smuggled rebels aboard the train.

Many would probably hastily dismiss Horror Express upon first glance because both the title and poster make it appear as if it’s a rather cheesy entry into the horror genre. That couldn’t be farther from the truth. Obviously there’s no way it could compare to modern day horror films because of the lack of quality special effects, but that shouldn’t rule it out as an option for anyone when searching for something fun to watch. It’s pretty decently paced and rather well directed and acted and I’m not certain as to why the film doesn’t receive more exposure.

Horror Express, like The Monster Club, will always hold a special place in my heart because I enjoyed them both so much when I was young. That said, I never completely allow nostalgia to cloud my opinions; rather, I take the films at face value, considering when they were made, what purpose they served at the time of release, and if they stand the test of time. Horror Express certainly holds up relatively well, is deserving of attention and more than worth your time, especially as part of a double feature with one of the films mentioned above. You can pick up a Blu-Ray copy of the film at Amazon.

Horror Express grade: B+

Moon5

Each year, I always promised myself that I’d watch a horror movie a day and was never able to get around to it. (I’ve gotten to the age where my goals aren’t as lofty anymore, apparently.) Due to time constraints and other circumstances, the whole plan always fell apart and usually early on in the month (which was nice because then I didn’t have to watch everything go down the drain later on).

This year, I was finally able to complete my task. Not only was I able to watch one a day, but nearly all of them were films I had never seen before–the one lone exception was The Legend of Hell House, something I’d seen years ago, but had never viewed on Blu-Ray with additional special features.

Anyway, here’s the complete list of every film seen and reviewed (the grades I gave each are within the posting at the end of the review). They span nearly 100 years, from 1921 all the way up to 2014. Hopefully, there are a few that will catch your eye and that you’ll enjoy (or despise) as much as I did. Thanks to all of you who read and commented the past month. Who knows, maybe I’ll do it again next year.

Dead Snow (2009)

The Legend of Hell House (1973)

The Sacrament (2013)

The Stepford Wives (1975)

What Ever Happened To Baby Jane? (1962)

White Zombie (1932)

Dementia 13 (1963)

Zombie Strippers (2008)

Tentacles (1977)

Screamtime (1984)

Hatchet For The Honeymoon (1970)

Happy Birthday To Me (1981)

Blue Sunshine (1978)

The Haunted Dollhouse (aka DevilDolls) (2012)

Stake Land (2010)

The Phantom Carriage (1921)

The Hearse (1980)

Death Bed- The Bed That Eats (1977)

World War Z (2013)

Doc of the Dead (2014)

Mr. Sardonicus (1961)

Blacula (1972)

In The Mouth of Madness (1995)

The Psychopath (1966)

13 Sins (2014)

House of the Long Shadows (1983)

Spider Baby or, The Maddest Story Ever Told (1967)

All The Boys Love Mandy Lane (2006)

Nosferatu the Vampyre (1979)

Scarecrows (1988)

Torture Garden (1967)

 

Torture Garden

 

“It will show you nothing but what is in your own heart.”–Dr. Diabolo

When I randomly selected Torture Garden as the final film in my 31 Days of Halloween movie marathon, how could I have known that it would come from the same team that created a movie I saw a week ago today (The Psychopath)?

Director Freddie Francis (Tales From The Crypt), writer Robert Bloch (Psycho), and producer Milton Subotsky (The Monster Club) came together again in 1967 to make the anthology film starring Burgess Meredith (The Twilight Zone, Batman) and Jack Palance (City Slickers, Shane).

Torture Garden follows the same basic structure as other Amicus anthologies such as The Vault of Horror, Tales From The Crypt, and From Beyond the Grave in that a mysterious main character allows several individuals to obtain a glimpse into their very often ominous futures. In this film we meet:

  • A man who finds himself driven to murder by a mesmerizing, man-eating cat
  • A Hollywood actress who will do anything to become one of the top 10 stars
  • A famed pianist whose grand piano holds an evil sway over him
  • An Edgar Allan Poe collector (Palance) who murders another collector (Peter Cushing) to gain access to his items and uncover dark secrets

None of the segments are particularly bad. However, none are particularly memorable either. They’re basically watered down morality tales you might find on TV shows like The Twilight Zone or Thriller (both of which were far better at executing this type of material).

If you’re looking for something to pass the time on a gloomy afternoon, you could do a lot worse than Torture Garden, but I would recommend checking out one of the later Amicus anthologies–they had a bit more flair and the twists were a little more creative. Seek this one out only for a rare villainous turn by Burgess Meredith, a great character actor whose performance always elevated any story.

Torture Garden grade: C

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Psychopath

When I have to repeatedly pause a film to determine how much time remains and I discover myself thinking “Too much”, it’s never a good sign.

Written by Robert Bloch (Psycho), directed by Freddie Francis (Tales From the Crypt, Torture Garden), produced by Milton Subotsky (The Monster Club, From Beyond the Grave), and released by Amicus, The Psychopath should have been a solid film considering the level of talent involved. In fact, as it started, I found myself acting like Flounder from Animal House when, excited, he said “Oh boy! Is this GREAT!”

Sadly, The Psychopath is not great.

Men who investigated a German millionaire after World War II are being systematically killed with the assailant leaving a small plastic doll that resembles the victim as a calling card. Inspector Holloway (Patrick Wymark) turns a suspicious eye toward everyone, including: Mrs. Von Sturm (Margaret Johnston)–the millionaire’s widow, her son Mark (John Standing), and several other players.

For the majority of the film, The Psychopath is more crime drama than horror film as the Inspector tracks down the killer while suspects are murdered. And it’s quite a dull murder mystery at that. Even clocking in at 82 minutes, The Psychopath feels longer with a plot no more elaborate than an episode of Castle. Though the ending does provide a bit of a shocker, it’s also indicative that Bloch went to the whole “mommy issues” well one too many times.

The Psychopath grade: D+